Thomas Sheraton - A Biography
The inside cover from Thomas Sheraton's - Cabinet Makers and Upholsterer's Drawing Book
A facsimile of the opening page of Thomas Sheraton's "Cabinet Makers and Upholsterer's Drawing Book"
Thomas Sheraton (1751 - October 22, 1806) was a furniture designer, one of the "big three" English furniture makers of the 18th century, along with Thomas Chippendale and George Hepplewhite.

Sheraton was born in Stockton-on-Tees, England. He was apprenticed to a local cabinet maker and continued working as a journeyman cabinet maker until he moved to London in 1790, aged 39. There he set up as professional consultant and teacher, teaching perspective, architecture, and cabinet design for craftsmen. It is not known how he gained either the knowledge or the reputation which enabled him to do this but he appears to have been moderately successful.

Starting in 1791 he published in four volumes "The Cabinet Maker's and Upholsterer's Drawing Book". At least six hundred cabinet makers and joiners subscribed to his book and it was immediately widely influential over a large part of the country. During this period he did not have a workshop of his own and it is believed that Sheraton himself never made any of the pieces shown in his books. No pieces of furniture have ever been traced to him directly. So a piece of furniture described as being "by Sheraton" refers to the design and not to the maker of the piece.

A drawing of a page from Sheraton's Drawing Book
A page from Sheratons Drawing Book, with a near identical writing table, to one which has been recently sold by us.

In 1803 he published "The Cabinet Dictionary", a compendium of instructions on the techniques of cabinet and chair making. Then a year before his death, in 1805 he published the first volume of "Cabinet Maker, Upholsterer and General Artist's Encyclopaedia".

Sheraton's name is associated with the styles of furniture fashionable in the 1790s and early 1800s. Many of the designs are based on classical architecture, knowledge of which was an essential part of a designer's technical education. Not all of the drawings are of his own design; he acknowledges that some of them came from works in progress in the workshops of practicing cabinet makers. But he was a superb draughtsman and he set his name on the style of the era.